Miri Brook

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Miri Brook

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Parking Information Carport, Off Street Parking. Exterior Information Deck, Porch. Homeowners Association Information Association Fee Includes: Grounds Maintenance, Property Management Has HOA.

School Information Elementary School: Per Board of Ed Middle Jr. High School: Per Board of Ed. Utilities Information Cooling System: Central Air Energy Features: Storm Doors.

Location Information Directions: Miry Brook To Shady Acres Mobile Home Park - Unit 40 Subdivision: SHADY ACRES. Miscellaneous Information Provider System: GFC.

Building Information Color: White Exterior Siding: Vinyl Siding. Property Information Level Lot Sq. Heated Above Grade: Sale History.

Tax History. Activity for 42 Miry Brook Rd GreatSchools Rating. Mill Ridge Primary School. Rogers Park Middle School.

Danbury High School. School data provided by GreatSchools. School service boundaries are intended to be used as reference only.

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The magic words are: "Up against the wall motherfucker this is a stick up! Not long after the riots, Baraka generated controversy when he went on the radio with a Newark police captain and Anthony Imperiale , a politician and private business owner, and the three of them blamed the riots on "white-led, so-called radical groups" and "Communists and the Trotskyite persons".

It was a collection of previously published music journalism , including the seminal Apple Cores columns from Down Beat magazine. In , Baraka still LeRoi Jones visited Maulana Karenga in Los Angeles and became an advocate of his philosophy of Kawaida , a multifaceted, categorized activist philosophy that produced the "Nguzo Saba", Kwanzaa , and an emphasis on African names.

According to Shaw, he dropped the honorific Imamu and eventually changed Amear which means "Prince" to Amiri. In he strongly supported Kenneth A.

Gibson 's candidacy for mayor of Newark; Gibson was elected as the city's first African-American mayor.

In the late s and early s, Baraka courted controversy by penning some strongly anti-Jewish poems and articles with a stance similar to the stance at that time of the Nation of Islam.

Historian Melani McAlister points to an example of this writing: "In the case of Baraka, and in many of the pronouncements of the NOI [Nation of Islam], there is a profound difference, both qualitative and quantitative, in the ways that white ethnicities were targeted.

For example, in one well-known poem, Black Arts [originally published in The Liberator January ], Baraka made offhand remarks about several groups, commenting in the violent rhetoric that was often typical of him, that ideal poems would 'knockoff Prior to this time, Baraka prided himself on being a forceful advocate of black cultural nationalism; however, by the mids, he began finding its racial individuality confining.

He believed that the groundbreakers in the Black Arts Movement were doing something that was new, needed, useful, and black, and those who did not want to see a promotion of black expression were "appointed" to the scene to damage the movement.

In , Baraka distanced himself from Black nationalism and converted to Marxism-Leninism and became a supporter of third-world liberation movements.

In , he became a lecturer in the State University of New York at Stony Brook 's Africana Studies Department in the College of Arts and Sciences at the behest of faculty member Leslie Owens.

Articles about Baraka appeared in the University's print media from Stony Brook Press , Blackworld , and other student campus publications.

Shortly thereafter, Baraka took a tenure-track assistant professorship at Stony Brook in to assist "the struggling Africana Studies Department"; in , he was promoted to associate professor and earned tenure.

In June Baraka was arrested and jailed at Eighth Street and Fifth Avenue in Manhattan. Different accounts emerged around the arrest, yet all sides agree that Baraka and his wife, Amina, were in their car arguing over the cost of their children's shoes.

The police version of events holds that they were called to the scene after a report of an assault in progress.

They maintain that Baraka was striking his wife, and when they moved to intervene, he attacked them as well, whereupon they used the necessary force to subdue him.

Amina's account contrasted with that of the police; she held a news conference the day after the arrest accusing the police of lying.

A grand jury dismissed the assault charge, but the resisting arrest charge moved forward. A month later he was sentenced to 90 days at Rikers Island the maximum he could have been sentenced to was one year.

Amina declared that her husband was "a political prisoner". Baraka was released after a day in custody pending his appeal.

At the time it was noted that if he was kept in prison, "he would be unable to attend a reception at the White House in honor of American poets.

During the process his lawyer William M. Kunstler told the press Baraka "feels it's the responsibility of the writers of America to support him across the board".

Backing for his attempts to have the sentence cancelled or reduced came from "letters of support from elected officials, artists and teachers around the country".

The judge noted that having Baraka serve his 90 days on weekends would allow him to continue his teaching obligations at Stony Brook.

While serving his sentence he wrote The Autobiography , tracing his life from birth to his conversion to socialism. In Baraka published an essay in the Village Voice that was titled Confessions of a Former Anti-Semite.

Baraka insisted that a Village Voice editor titled it and not himself. In the essay Baraka went over his life history, including his marriage to Hettie Cohen, who was Jewish.

He stated that after the assassination of Malcolm X he found himself thinking, "As a Black man married to a white woman, I began to feel estranged from her How could someone be married to the enemy?

In the essay Baraka went on to say. We also know that much of the vaunted Jewish support of Black civil rights organizations was in order to use them.

Jews, finally, are white, and suffer from the same kind of white chauvinism that separates a great many whites from Black struggle.

In the essay he also defended his position against Israel, saying, "Zionism is a form of racism. Anti-Semitism is as ugly an idea and as deadly as white racism and Zionism As for my personal trek through the wasteland of anti-Semitism, it was momentary and never completely real.

I have written only one poem that has definite aspects of anti-Semitism The poem Baraka referenced was "For Tom Postell, Dead Black Poet", which contained lines including.

Smile jew. Dance, jew. Tell me you love me, jew. I got something for you I got the extermination blues, jewboys.

I got the hitler syndrome figured So come for the rent, jewboys During the —83 academic year, Baraka was a visiting professor at Columbia University, where he taught a course entitled "Black Women and Their Fictions".

After becoming a full professor of African Studies at Stony Brook in , Baraka took an indefinite visiting appointment in Rutgers University's English department in ; over the next two years, he taught a number of courses in African American literature and music.

Although Baraka sought a permanent, tenured appointment at the rank of full professor in early in part due to the proximity between the University's campus in New Brunswick, New Jersey and his home in Newark , he did not attain the requisite two-thirds majority of the senior faculty in a contentious vote that favored his appointment.

Baraka would go on to collectively liken the committee to an " Ivy League Goebbels " while also characterizing the senior faculty as "powerful Klansmen ", leading to a condemnation from department chair Barry Qualls.

In , together with Maya Angelou and Toni Morrison , he was a speaker at the commemoration ceremony for James Baldwin. In Baraka won an American Book Award for his works as well as a Langston Hughes Award.

In he co-authored the autobiography of Quincy Jones , and in he was a supporting actor in Warren Beatty 's film Bulworth. In , Baraka contributed to the AIDS benefit album Offbeat: A Red Hot Soundtrip produced by the Red Hot Organization.

In July , Baraka was named Poet Laureate of New Jersey by Governor Jim McGreevey. During the Geraldine R.

Dodge Poetry Festival in Stanhope, New Jersey , Baraka read his poem on the September 11th attacks "Somebody Blew Up America?

Because there was no mechanism in the law to remove Baraka from the post, the position of state poet laureate was officially abolished by the State Legislature and Governor McGreevey.

Baraka collaborated with hip-hop group The Roots on the song "Something in the Way of Things In Town " on their album Phrenology. In , scholar Molefi Kete Asante included Amiri Baraka on his list of Greatest African Americans.

In , Baraka's daughter Shani, aged 31, and her lesbian partner, Rayshon Homes, were murdered in the home of Shani's sister, Wanda Wilson Pasha, by Pasha's ex-husband, James Coleman.

His son, Ras J. Baraka born , is a politician and activist in Newark, who served as principal of Newark's Central High School , as an elected member of the Municipal Council of Newark —06, —present representing the South Ward.

Ras J. Baraka became Mayor of Newark on July 1, See Newark mayoral election. Amiri Baraka died on January 9, , at Beth Israel Medical Center in Newark, New Jersey, after being hospitalized in the facility's intensive care unit for one month before his death.

The cause of death was not reported initially, but it is mentioned that Baraka had a long struggle with diabetes.

Author Jerry Gafio Watts contends that Baraka's homophobia and misogyny stem from his efforts to conceal his own history of same-sex encounters.

Watts writes that Baraka "knew that popular knowledge of his homosexuality would have undermined the credibility of his militant voice. By becoming publicly known as a hater of homosexuals, Jones was attempting to defuse any claims that might surface linking him with a homosexual past.

Most American white men are trained to be fags. For this reason it is no wonder their faces are weak and blank The average ofay [white person] thinks of the black man as potentially raping every white lady in sight.

Which is true, in the sense that the black man should want to rob the white man of everything he has. But for most whites the guilt of the robbery is the guilt of rape.

That is, they know in their deepest hearts that they should be robbed, and the white woman understands that only in the rape sequence is she likely to get cleanly, viciously popped.

In , he was again asked about the quote, and placed it in a personal and political perspective:. Those quotes are from the essays in Home , a book written almost fifty years ago.

The anger was part of the mindset created by, first, the assassination of John Kennedy , followed by the assassination of Patrice Lumumba , followed by the assassination of Malcolm X amidst the lynching, and national oppression.

A few years later, the assassination of Martin Luther King and Robert Kennedy. What changed my mind was that I became a Marxist, after recognizing classes within the Black community and the class struggle even after we had worked and struggled to elect the first Black Mayor of Newark, Kenneth Gibson.

In July , ten months after the September 11 attacks on the World Trade Center , Baraka wrote a poem entitled "Somebody Blew Up America? The poem is highly critical of racism in America, and includes humorous depictions of public figures such as Trent Lott , Clarence Thomas , and Condoleezza Rice.

It also contains lines claiming Israel's knowledge of the World Trade Center attacks:. Who know why Five Israelis was filming the explosion And cracking they sides at the notion Who knew the World Trade Center was gonna get bombed Who told Israeli workers at the Twin Towers To stay home that day Why did Sharon stay away?

Baraka said that he believed Israelis and President George W. Bush had advance knowledge of the September 11 attacks, [77] citing what he described as information that had been reported in the American and Israeli press and on Jordanian television.

He denied that the poem is antisemitic and points to its accusation, which is directed against Israelis rather than Jews as a people. After the poem's publication, then-governor Jim McGreevey tried to remove Baraka from the post of Poet Laureate of New Jersey, to which he had been appointed following Gerald Stern in July McGreevey learned that there was no legal way, according to the law authorizing and defining the position, to remove Baraka.

On October 17, , legislation to abolish the post was introduced in the State Senate and subsequently signed by Governor McGreevey, becoming effective July 2, Baraka ceased being poet laureate when the law became effective.

In response to legal action filed by Baraka, the United States Court of Appeals for the Third Circuit ruled that state officials were immune from such suits, and in November the Supreme Court of the United States refused to hear an appeal of the case.

Baraka served as the second Poet Laureate of New Jersey from July until the position was abolished on July 2, In response to the attempts to remove Baraka as the state's Poet Laureate, a nine-member advisory board named him the poet laureate of the Newark Public Schools in December Baraka received honors from a number of prestigious foundations, including the following: fellowships from the Guggenheim Foundation and the National Endowment for the Arts , the Langston Hughes Award from the City College of New York , the Rockefeller Foundation Award for Drama, an induction into the American Academy of Arts and Letters , and the Before Columbus Foundation Lifetime Achievement Award.

A short excerpt from Amiri Baraka's poetry was selected to be used for a permanent installation by artist Larry Kirkland in New York City's Pennsylvania Station.

I have seen many suns use the endless succession of hours piled upon each other. Despite numerous controversies and polarizing content of his work, Baraka's literary influence is undeniable.

His co-founding of the Black Arts Movement in the s promoted a uniquely black nationalist perspective and influenced an entire literary generation.

In a review of the anthology, Baraka, himself, criticized editor Charles H. Rowell's hostility towards the Black Arts Movement, calling Rowell's "attempt to analyze and even compartmentalize" contemporary African American poetry as "flawed".

Critic Emily Ruth Rutter recognizes the contribution to African American literary studies of Angles of Ascent yet also proposes adding Baraka and others to ensure students do not "unknowingly accept" the notion that Baraka and writers like him were somehow absent from influencing twenty-first century poetry.

In the end, Baraka's work suffered because he preferred ideology over art, forgetting the latter outlasts us all. Baraka's participation in a diverse array of artistic genres combined with his own social activism allowed him to have a wide range of influence.

When discussing his influence in an interview with NPR, Baraka stressed that he had influenced numerous people. When asked what he would write for his own epitaph, he quipped, "We don't know if he ever died", [85] evincing the personal importance of his own legacy to him.

NPR's obituary for Baraka describes the depths of his influence simply: " With the New York Art Quartet.

From Wikipedia, the free encyclopedia. African-American writer. Fieldworks: From Place to Site in Postwar Poetics.

Tuscaloosa, Alabama: University of Alabama Press, , p. Politicker NJ. The Washington Post. Academy of American Poets. Retrieved January 10, He served in the Air Force from until PEN American Center.

Archived from the original on June 26, Retrieved July 6, Celeste Bateman and Associates. Archived from the original on November 23, Retrieved November 8, Oxford University Press, ; see also Nelson, Cary ed.

Modern American Poetry: An Online Journal and Multimedia Companion to Anthology of Modern American Poetry. Champaign: University of Illinois at Urbana-Champaign.

Amiri Baraka: The Politics and Art of a Black Intellectual. New York: New York University Press. Anthology of Modern American Poetry.

Oxford: Oxford University Press. Controversial N. Yale Daily News. The New York Times. January 9, Retrieved November 4, Citrus County, Florida : Black History in America.

Retrieved January 11, The Norton Anthology of African American Literature. New York: W. I thought Howl was something special.

It was a breakthrough for me.

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